Music Teacher Unsure What You Earn? The Letting Desk
2026-11-02
The letting agent has a pleasant face and a pen already hovering over the form.
"And your monthly income? Roughly."
Mara sits very still on the low chair, the one that makes everyone look slightly smaller. It is Tuesday, 11:20 in the morning. Outside the window, someone is parking a van badly. She has taught violin and beginner piano for six years. She has thirty-one students on a good week. She has a flat she loves and a lease that ends in eight weeks.
And she has no idea what the answer is.
"Around two thousand?" she says. It comes out as a question. The agent writes something down. Mara looks at the number on the form and feels her face go warm.
This is a fictional scene, but you may know the feeling.
The number you almost know
You are not careless. You know your hourly rate. You know it by heart, the way you know your phone number.
What you don't know is what actually arrives. Not what you charge, but what lands in your account after the cancellations, the half-term gaps, the family that "will transfer on Friday", the lesson you gave for free because the little one had a hard week and you didn't have the heart.
So you carry a rough shape in your head. A good month, a thin month. Somewhere around.
Rough is fine on an ordinary day. It is not fine at a desk with a form, or in a conversation with a bank, or at 3 am when you wonder whether you could ever take a real holiday.
What the roughness costs
On the walk home, Mara tries to add it up properly. The tram is full of school bags. She opens her banking app and scrolls.
A payment from the Okonkwo family. One from a student she thought had paid last month. Two lesson fees in one transfer, no reference. A cash envelope she can't remember depositing. Her notes app has a list of names with little ticks and question marks, and a dated line that says only "Jonas?? check".
The truth is she hasn't been avoiding the numbers. She has been avoiding the feeling the numbers might give her. Because if she looks closely, she might find that three families are quietly behind. She might find that the Thursday cancellations cost her more than she would ever say out loud. She might find that she hasn't changed her rate in three years, and that the quiet resentment she feels on Sunday evenings has a reason.
She doesn't ask for the money, because asking feels like she is putting a price on something that should simply be a gift. But the rent doesn't feel like a gift.
So she carries it. Every week a little more.
The moment it turns
It isn't dramatic. It is a Wednesday, a gap between two lessons, a cold cup of tea on the piano lid.
She finally says to herself, plainly: I don't have a money problem. I have a looking problem. Nothing is written down in one place.
The lessons are happening. The payments are mostly happening. What's missing is a single, quiet page that says: this is what I taught, this is what was paid, this is who is behind, this is what the last-minute cancellations cost. A page that does the remembering so her head doesn't have to.
It doesn't need to be clever. It needs to be there on a Monday, waiting.
A normal Monday, after
Imagine it a few weeks on.
Monday, 8:30. Mara sits with her coffee and opens one file. It takes about ten minutes. She adds last week's lessons, ticks off what has arrived, and sees that two families are a little behind. Not a crisis. Two names, two amounts, written in plain figures.
The message she sends is short and kind, and it doesn't feel like begging. It feels like a teacher with a clear record. There is no sinking stomach, because she is no longer guessing.
At the bottom of the page is the month's total. Not a feeling. A number. She reads it twice, and it is a little lower than she hoped and a little higher than she feared. Either way, it is hers, and she knows it.
Later, when a parent cancels with two hours' notice, she writes it down and moves on, without the vague guilt. She can see what those gaps add up to over a term. When she thinks about her rate, she is not frightened of the conversation any more, because she can see why the number should change. It sits in front of her, calm, in black and white.
And the next time somebody at a desk asks, "Roughly, what do you earn each month?", she answers in one breath. She doesn't apologise for it. It's her business, and she can see it.
If you recognise the chair
You may not be sitting at a letting desk. Maybe it's a mortgage question, a friend's casual "so is it going well?", or just a quiet moment in the car after the last lesson when you realise you couldn't say what the month was worth.
If so, that's the kind of moment we built Lessons Taught, Lessons Paid – Lesson Log & Invoice Tracker for. It's an Excel lesson log and invoice tracker for private tutors and music teachers. It shows who is behind, what late cancellations really cost, and when it may be time to raise your rate. It opens with a short Start here sheet, so you can see the first result within minutes. It comes with a 30-day money-back promise: if it doesn't help, you get a full refund, no questions.
It keeps the record. You keep the decisions. It does not replace a tax professional.
See Lessons Taught, Lessons Paid
An illustrative story, written with AI assistance.